
Data as of Aug 9, 2026
Michel Sardou – Enregistrement Public A L'Olympia
1971 · France · Philips · Vinyl LP Album
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Price guide
Estimated market value via Discogs · as of Aug 16, 2026
- MMint
- $19.06
- NMNear Mint
- $17.05
- VG+Very Good Plus
- $13.04
- VGVery Good
- $9.03
- G+Good Plus
- $5.01
- GGood
- $3.01
- FFair
- $2.01
- PPoor
- $1
57 copies listed on Discogs from $1.15.
These are reference estimates from Discogs sold/asking data for this exact pressing, not offers and not a guaranteed price. Actual value depends on condition, completeness and current demand. Any active seller offers on this page are listed separately above.
Offers
New to condition grades like NM or VG? Read our vinyl grading guide →
Pressing identification
Match these against your copy to confirm the exact pressing.
- Runout — side A
- 6325 005 16325005 1 380
- Runout — side B
- 6325 005 26325005 X1X 380 2
- Rights society
- SACEM SACD SDRM SGDL
- Price Code
- Ⓑ
- Printed By
- Dillard et Cie. Imp. Paris
Specifications
- Artist
- Michel Sardou
- Genre
- Pop
- Style
- Chanson
- Year
- 1971
- Label
- Philips
- Catalog number
- 6 325 005
- Country
- France
Tracklist
- A1La Corrida N'aura Pas Lieu
- A2Laisse-moi Vivre
- A3J'habite En France
- A4La Colombe "Restera-t-il Encore"
- A5Les Ricains
- A6Je T'aime, Je T'aime
- B1Le Rire Du Sergent
- B2Vive La Mariée
- B3Aujourd'hui Peut-être
- B4Et Mourir De Plaisir
- B5Les Bals Populaires
- Producer
- Jacques Revaux
- Producer
- Régis Talar
- Engineer
- Bernard Estardy
- Conductor
- Roland Vincent
- Photography By
- Tony Frank
About this record
Philips catalogue 6 325 005 captures Michel Sardou live at L'Olympia in 1971, a French chanson performance pressed across two sides with matrix runouts 6325 005 1 and 6325 005 2. Community data shows 1073 collectors own this pressing against only 19 seeking it, a want-to-have ratio that signals steady supply relative to collector demand.
The 11-track live album survives in the marketplace with enough copies in circulation that finding one is rarely urgent.
What drives its value
This 1971 Philips pressing holds modest collector value, anchored by its live-venue documentation rather than scarcity. The want-to-have ratio of 19 against 1073 owners indicates the record is neither rare nor in high demand; copies surface regularly enough that price pressure remains light.
As a French domestic pressing on Philips, it occupies the middle tier of Sardou's discography—neither a sought original variant nor a reissue commanding premium. Condition variation matters more than rarity: a collector upgrading from VG to VG+ or Mint will encounter the typical spread of a mid-tier 1970s pop-chanson LP.
The 59 community ratings averaging 3.71 suggest moderate appreciation for the performance itself, but the recording's age and format (vinyl LP) mean preservation and playback quality dominate resale negotiation rather than pressing-plant scarcity or matrix variants.
How to appraise this pressing
Confirm this pressing by the Philips label imprint and catalogue number 6 325 005 (also printed as 6325 005 without spaces). The two-sided matrix runouts—6325 005 1 on side A and 6325 005 2 on side B—are the definitive markers; variant pressings may show 6325005 1 380 or 6325005 X1X 380 2 in the dead wax, indicating different pressing sessions or plants.
The record carries no barcode, consistent with 1971 French Philips practice. The LP spine and label should credit Michel Sardou and name the venue (L'Olympia) and year.
Grade by examining the vinyl surface under light: a Mint copy shows no hairline scratches or dust marks; VG+ allows light surface marks audible only on silent passages; VG permits visible scratches and light surface noise during playback. Check the sleeve for foxing, seam splits, or water damage, as these affect overall condition assessment independent of vinyl grade.
Further reading: grading a record, what makes a pressing valuable.
Frequently asked
How do I confirm I have the original 1971 Philips pressing and not a later reissue?
Check the dead-wax runout strings stamped into the vinyl near the label. The original 1971 pressing shows either 6325 005 1 (side A) and 6325 005 2 (side B), or variant matrices 6325005 1 380 and 6325005 X1X 380 2. Reissues typically carry different matrix codes or pressing-plant identifiers. The catalogue number 6 325 005 should appear on both the label and spine; spacing variations (6325 005 vs 6325005) reflect printing inconsistencies within the original run rather than a separate pressing.
Why is this record so common if it's a live performance from a famous venue?
The 1073 collectors who own this pressing reflect its initial commercial success in France during 1971—Sardou was a major chanson artist, and L'Olympia recordings were standard releases for established performers. The low want count (19) against that inventory suggests the record satisfied its original market and has remained in steady circulation rather than becoming scarce. Live albums from this era and region were pressed in quantities that ensured availability, unlike limited or cult releases that command premium prices today.
What does the 3.71 rating out of 59 votes tell me about the album's appeal?
The 59 community ratings averaging 3.71 indicate moderate-to-good appreciation for the performance and recording quality, placing it solidly in the middle range of collector regard. This score reflects the album's value as a documented live performance rather than as a rare or historically pivotal release. Collectors rate it fairly, suggesting the 11 tracks deliver competent chanson performance without exceptional production or arrangement that would elevate it to higher collector priority.
Should I expect to find this record in good condition, or are most copies worn?
With 1073 copies in the collector base, condition varies widely. Many copies have been played regularly since 1971 and show surface wear typical of 50-year-old domestic pressings. Finding a VG+ or Mint copy requires patience and inspection of multiple listings, but the large installed base means clean examples do surface. Vinyl condition and sleeve integrity are the primary variables affecting individual copy value, since the pressing itself is not scarce.
Is the matrix runout 6325005 1 380 different from 6325 005 1, and does it matter?
Both runouts appear in the dead wax of original 1971 Philips pressings of this title, indicating different pressing sessions or manufacturing runs within the same release year. The presence of 380 (likely a pressing-plant or batch code) does not indicate a reissue or variant edition—it is a manufacturing detail of the original production. For grading and authentication, either matrix is consistent with the 1971 catalogue 6 325 005; neither commands a premium over the other.