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Claude Debussy – Petite Suite • En Blanc Et Noir • Lindaraja • Six Épigraphes Antiques • Symphonie En Si Mineur • Marche Ecossaise vinyl cover

Data as of Oct 16, 2026

Claude Debussy – Petite Suite • En Blanc Et Noir • Lindaraja • Six Épigraphes Antiques • Symphonie En Si Mineur • Marche Ecossaise

1983 · France · La Voix De Son Maître · Vinyl LP Stereo

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Vinyl12"1 disc
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from €37
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Price guide

Estimated market value via Discogs · as of Oct 26, 2026

M$61.93NM$55.41VG+$42.37VG$29.33G+$16.30G$9.78F$6.52P$3.26

12 copies listed on Discogs from $5.96.

These are reference estimates from Discogs sold/asking data for this exact pressing, not offers and not a guaranteed price. Actual value depends on condition, completeness and current demand. Any active seller offers on this page are listed separately above.

Offers · 1

  • €37
    ref VA-RZAEB
    Media VG+ · Very Good PlusSleeve VG+
    🇪🇸 Ships from Spain

The Discogs price estimate is a separate reference; offer prices above are sellers’ own.

New to condition grades like NM or VG? Read our vinyl grading guide →

Pressing identification

Match these against your copy to confirm the exact pressing.

Runout — side A
73132 DA 22 B M6 341659 4
Runout — side B
73132 DB 21 M6 341372 4
Price Code
PM 375(Boxed separatrly on back cover as cat# prefix)
Record Company
EMI
Made By
Pathé Marconi EMI
Pressed By
Pathé Marconi EMI, Chatou
Printed By
Glory (2)

Specifications

Style
Impressionist
Year
1983
Label
La Voix De Son Maître
Catalog number
C 069-73132
Country
France

Tracklist

  1. Petite Suite (Pour Piano À 4 Mains)
  2. A5Symphonie En Si Mineur (Pour Piano À 4 Mains)8:40
  3. Six Épigraphes Antiques (Pour Piano À 4 Mains)
  4. En Blanc Et Noir (Pour 2 Pianos)
  5. B6Marche Écossaise (Sur Un Thème Populaire Pour Piano À 4 Mains)6:20
  6. B7Lindaraja (Pour 2 Pianos)5:33
Producer
Eric Macleod
Engineer [Sound]
Serge Rémy
Composed By
Claude Debussy
Photography By [Beroff & Collard Photos]
John Schults

About this record

Pathé Marconi EMI's 1983 pressing of Debussy's piano works for four hands carries three distinct catalogue variants across its packaging—a documentation quirk that signals French domestic stock. The price spread from Mint to Good is steep: 61.93 USD down to 9.78 USD, a reflection of how condition dominates value on this digital stereo recording made in Paris in 1982.

What drives its value

This pressing commands 61.93 USD in Mint condition, dropping to 55.41 USD at Near Mint and 42.37 USD at VG+; a VG copy trades around 29.33 USD, while worn copies fall to 16.30 USD (G+) or 9.78 USD (G). The lowest asking price across 12 active listings is 5.96 USD, typical of bulk-market floor pricing.

Demand is modest—6 collectors want it against 35 who own one—placing it in the stable-supply zone. As a 1983 French domestic release on La Voix De Son Maître (EMI's French label), it ranks below original pressings but above later reissues; the digital recording date (April 1982) and Pathé Marconi EMI manufacturing mark it as a first pressing, not a budget reissue.

Condition sorting is the primary value driver here.

How to appraise this pressing

Confirm this pressing by the catalogue number 2C 069-73132 printed on the back cover, spine, and inside gatefold—the primary identifier. The front cover shows C 069-73132, and the label itself carries 2C 069-73.132, a three-variant quirk documented in the release notes.

Inspect the dead wax: Side A should read '73132 DA 22 B M6 341659 4' and Side B '73132 DB 21 M6 341372 4', both stamped at Pathé Marconi EMI, Chatou. The gatefold is red-rimmed with the nipper logo and 'Made in France by Pathé Marconi EMI' printed on the center labels.

Grade by vinyl surface clarity and groove definition; digital recordings of this era are prone to light surface noise even when well-kept. Check the gatefold seams and right-hand sleeve for foxing or edge wear, common on 1983 French stock.

Further reading: grading a record, how to sell vinyl.

Release notes

First cat# on front cover. 2nd on back cover, inside gatefold and spine. 3rd on labels. Released in a gatefold cover with right-hand side sleeve.

Front cover info: Red rim gatefold with "La Voix De Son Maitre" all arround.

Inside gatefold info: Credited liner notes in English and French.

Spine string: Digital 2C 069-73132 Debussy: Pièces Pour Piano A Quatre Mains • Beroff & Collard"

Back cover info: Notes in English and French. Recorded in Paris, 22-27 April, 1982. Stereo recording on digital stereo recorder. printed in France: "Glory Imprimé en France" ℗ 1983 Made in France

Center-labels info: "La Voix De Son Maitre" nipper logo on top. "Made in France by Pathé Marconi EMI". ℗ 1983 Pathé Marconi EMI. Stereo digital recording. French rim text copyrights message.

Notes sourced from the Discogs database.

Frequently asked

What is the catalogue number on this pressing?

Three variants appear: C 069-73132 on the front cover, 2C 069-73132 on the back cover and spine, and 2C 069-73.132 on the center labels. All three refer to the same release; the variation reflects French EMI's labeling practice in 1983.

How much is a VG+ copy worth?

A VG+ copy is valued at 42.37 USD according to the price guide. This represents a significant step down from the 55.41 USD Near Mint price, reflecting how surface noise and light wear reduce appeal on a digital stereo recording.

What pressing plant made this record?

Pathé Marconi EMI manufactured it at their Chatou facility, as confirmed by the matrix runout stamps '73132 DA 22 B M6 341659 4' (Side A) and '73132 DB 21 M6 341372 4' (Side B), and by the printed credit 'Made in France by Pathé Marconi EMI' on the center labels.

When was this recording made?

The sessions took place in Paris from 22–27 April 1982, as stated on the back cover. The record was released in 1983, making this a first pressing of the Béroff and Collard performance.

Is there demand for this pressing?

Modest: 6 collectors want it against 35 who own one, placing it in stable supply. With 12 copies currently for sale and a floor price of 5.96 USD, it is not scarce, but the 4.5-star rating from 4 raters suggests the performance itself holds collector interest.

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