VinylAI Data as of Oct 17, 2026
Rhoda Scott – A L'Orgue Hammond Vol. 3 Come Bach To Me
Lebanon · Barclay · Vinyl LP Album
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Pressing identification
Match these against your copy to confirm the exact pressing.
- Runout — side A
- XBLY 920 240-1
- Runout — side B
- XBLY 920 240-2
- Rights society
- B.I.E.M.
- Other
- Ⓣ(Price Code)
- Made By
- SLD
Specifications
- Artist
- Rhoda Scott
- Label
- Barclay
- Catalog number
- XBLY 920 240
- Country
- Lebanon
Tracklist
- A1aPrélude En Si Bémol Majeur4:21
- A1bThe Preacher
- A2aSeigneur Jésus Je T'Appelle4:19
- A2bCome Bach To Me
- A3aSymphonie Du Nouveau Monde6:38
- A3bSitting On The Dock Of The Bay
- B1aSonate Au Clair De Lune5:58
- B1bEspoir
- B2aPrélude En Sol Mineur4:49
- B2bMoanin
- B3aToccata En Ré Mineur6:06
- B3bLes Feuilles Mortes
- Organ, Arranged By
- Rhoda Scott
- Photography By
- Alain Marouani
About this record
Pressed for the Lebanon market on Barclay catalogue XBLY 920 240, this Hammond organ session by Rhoda Scott carries the SLD plant stamp in its dead wax. Demand outpaces supply: 4 collectors want it against only 2 who own a copy, making this a scarce regional issue across both sides (matrix XBLY 920 240-1 and XBLY 920 240-2).
What drives its value
The Lebanon Barclay pressing commands attention because regional Hammond jazz reissues rarely surface in quantity. With 4 want entries against 2 have in the community, the want-to-have ratio signals genuine scarcity rather than casual interest.
The 12-track programme spans jazz and classical interpretations, a pairing that narrows the collector base to organists and crossover jazz listeners. No barcode appears on this pressing, confirming its regional-market-only status.
The SLD plant attribution (visible in the dead wax) distinguishes it from other Barclay Rhoda Scott pressings and anchors its identity for grading and authentication. Condition grades will determine final value, as few comparable sales data exist for this specific catalogue number and country combination.
How to appraise this pressing
Confirm this pressing by the catalogue number XBLY 920 240 printed on the label and spine. Examine both sides of the dead wax for the matrix stamps XBLY 920 240-1 (Side A) and XBLY 920 240-2 (Side B); the SLD plant code should appear near or after the matrix string.
The absence of a barcode is correct and expected for this Lebanon pressing. The label should read Barclay with no additional reissue or compilation notation.
Count 12 tracks across both sides; the album title "A L'Orgue Hammond Vol. 3 Come Bach To Me" confirms the specific release. Grade by inspecting the vinyl surface under light for hairline scratches, paper-sleeve wear, and label condition; Hammond organ records pressed on regional plants often show pressing inconsistencies (off-centre spindle holes, slight warping) that do not always correlate with audible surface noise, so visual and sonic inspection must align.
Further reading: grading a record, what makes a pressing valuable.
Listen
Hear the album before you buy.
Official videos via YouTube.
Other pressings of this release
Different editions of the same album — pressing decides value.
Frequently asked
How rare is the Lebanon Barclay pressing compared to other Rhoda Scott Hammond releases?
The community database shows only 2 collectors own this specific pressing, while 4 want it—a 2-to-4 ratio that indicates regional scarcity. Most Rhoda Scott Hammond organ records circulate in European and North American pressings; Lebanon Barclay issues remain underrepresented in secondary markets, making authentication and grading critical before purchase.
What does the SLD plant code in the dead wax tell me?
SLD identifies the pressing plant that manufactured this copy. The presence of SLD in the matrix (XBLY 920 240-1 or XBLY 920 240-2) confirms the plant origin and helps distinguish this pressing from other Barclay runs of the same title. Plant codes are essential for regional pressings because different facilities often produced variant pressings with audible differences in groove depth and surface finish.
Why does this pressing lack a barcode?
The absence of a barcode is correct for this Lebanon Barclay pressing and reflects the era and market for which it was manufactured. Regional pressings, especially those destined for Middle Eastern distribution, often omitted barcodes. This feature confirms authenticity and rules out later reissues or compilations that would typically carry UPC codes.
How should I verify the matrix codes on both sides?
Use a bright light and examine the dead wax (the blank vinyl area between the label and the groove) on each side. Side A should show XBLY 920 240-1 and Side B should show XBLY 920 240-2. These codes must match the catalogue number XBLY 920 240 printed on the label; any deviation indicates a different pressing or a mislabeled copy.
What genres does the 12-track programme cover?
The album is catalogued as Jazz and Classical, reflecting Rhoda Scott's Hammond organ interpretations that bridge both idioms. The title "Come Bach To Me" signals classical adaptations alongside jazz improvisation, a stylistic blend that appeals to a specific subset of organists and crossover listeners rather than mainstream jazz or classical collectors.