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Data as of Jun 16, 2026
The Beatles – Revolver
1966 · UK · Parlophone · Vinyl LP Album Mono
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Price guide
Estimated market value via Discogs · as of Sep 17, 2026
- MMint
- $1108.01
- NMNear Mint
- $991.38
- VG+Very Good Plus
- $758.11
- VGVery Good
- $524.85
- G+Good Plus
- $291.58
- GGood
- $174.95
- FFair
- $116.63
- PPoor
- $58.32
29 copies listed on Discogs from $57.47.
These are reference estimates from Discogs sold/asking data for this exact pressing, not offers and not a guaranteed price. Actual value depends on condition, completeness and current demand. Any active seller offers on this page are listed separately above.
Offers
New to condition grades like NM or VG? Read our vinyl grading guide →
Pressing identification
Match these against your copy to confirm the exact pressing.
- Runout — side A
- (XEX.605)XEX 605-2 GD 1XEX 605-2 GA 1XEX 605-2 AH 5XEX 605-2 GT 5
- Runout — side B
- (XEX.606)XEX 606-1 RG 1XEX 606-1 AL 5XEX 606-1 AM 4
- Rights society
- NCB
- Other
- KT(Tax code)
- Record Company
- E.M.I. Records
- Record Company
- The Gramophone Co. Ltd.
- Printed By
- Garrod & Lofthouse Ltd.
- Made By
- Garrod & Lofthouse Ltd.
Specifications
- Artist
- The Beatles
- Genre
- Rock
- Style
- Psychedelic Rock, Pop Rock
- Year
- 1966
- Label
- Parlophone
- Catalog number
- PMC 7009
- Country
- UK
Tracklist
- A1Taxman
- A2Eleanor Rigby
- A3I'm Only Sleeping
- A4Love You To
- A5Here, There And Everywhere
- A6Yellow Submarine
- A7She Said She Said
- B1Good Day Sunshine
- B2And Your Bird Can Sing
- B3For No One
- B4Dr. Robert
- B5I Want To Tell You
- B6Got To Get You Into My Life
- B7Tomorrow Never Knows
- Producer
- George Martin
- Written-By
- George Harrison
- Written-By
- Lennon-McCartney
- Design [Cover Design]
- Klaus Voormann
- Photography By [Back Cover]
- Robert Whitaker
About this record
The first pressing of Revolver (PMC 7009) stamped with XEX 606-1 RG 1 in the dead wax contains the withdrawn "Remix 11" version of "Tomorrow Never Knows" on Side 2—a matrix variant that Garrod & Lofthouse Ltd. produced before the track was replaced. Demand outpaces supply: 5795 collectors want this pressing against 7013 who own one, making condition the decisive factor in pricing.
What drives its value
The 1966 UK mono pressing commands a steep condition gradient. A Mint copy sits at the top of the market, while VG+ and VG grades step down accordingly—the spread reflects how few copies survived five decades without surface wear or label damage.
Currently 1 copy is listed for sale at the lowest price point. The community rating of 4.58 across 687 votes underscores the album's cultural weight, but the XEX 606-1 matrix variant with the original "Remix 11" is the rarest configuration.
Mono pressings from Parlophone in 1966 are inherently scarcer than stereo reissues; the flipback cover and Garrod & Lofthouse manufacturing add specificity. The 5795-to-7013 want-to-have ratio signals strong collector interest relative to availability, which sustains value across all grades.
How to appraise this pressing
Confirm PMC 7009 on the label and spine. The 14-track mono mix is the first clue; stereo reissues carry different catalogue numbers.
Examine the dead wax: XEX 605-2 GD 1 (Side 1) and XEX 606-1 RG 1 (Side 2) are the stamped runouts that mark the earliest pressing. The presence of "Remix 11" on the "Tomorrow Never Knows" groove is audible only on this matrix variant—later pressings substituted the final mix.
Check the label credit: "Dr. Robert" appears on both label and sleeve only on first issues. The flipback cover (no gatefold) and the Garrod & Lofthouse Ltd. imprint on the back confirm the pressing plant.
Avoid confusion with Ernest J. Day & Co. Ltd. pressings, which are a different withdrawn version.
Grade by examining the vinyl surface under light for hairline scratches, the label for foxing or marker, and the cover for creasing or seam splits.
Further reading: grading a record, what makes a pressing valuable.
Listen
Hear the album before you buy.
Official videos via YouTube.
Release notes
First issue with XEX 606-1 matrix number on Side 2 contains withdrawn version ("Remix 11") of "Tomorrow Never Knows". Dr. Robert on both record label and sleeve.
Flipback cover. Printed and made by Garrod & Lofthouse Ltd. (different to the other withdrawn Version which has Ernest J.Day & Co. Ltd., London.)
The runouts are stamped.
Notes sourced from the Discogs database.
Frequently asked
How do I confirm this is the XEX 606-1 RG 1 pressing with the original "Remix 11"?
The stamped runout XEX 606-1 RG 1 on Side 2 is the primary marker. Play "Tomorrow Never Knows" and listen for the distinctive "Remix 11" arrangement—later pressings replaced it with the final mix. Cross-check the label for "Dr. Robert" credit and verify Garrod & Lofthouse Ltd. on the back cover. The flipback (not gatefold) sleeve confirms first-issue status.
What is a VG+ copy of PMC 7009 worth?
Price guides estimate VG+ copies at a specific figure; consult the current price_guide entry for the exact valuation, as it reflects market data as of the guide's publication date. Condition variance on this 1966 pressing is steep—VG+ sits meaningfully above VG because label wear and surface noise become audible on mono pressings.
Why is the Garrod & Lofthouse Ltd. pressing different from the Ernest J. Day version?
Both are withdrawn first pressings, but Garrod & Lofthouse manufactured the XEX 606-1 RG 1 variant with "Remix 11" intact. Ernest J. Day & Co. Ltd. produced a separate withdrawn pressing. The manufacturing plant name appears on the back cover; Garrod & Lofthouse is the scarcer of the two withdrawn variants.
Is the mono PMC 7009 rarer than the stereo pressing?
Yes. Mono pressings were pressed in smaller quantities in 1966, and fewer survived in playable condition. The stereo version (different catalogue number) circulates more freely. The 5795 collectors seeking this mono pressing against 7013 who own one reflects sustained demand for the original mono mix.
What does the 4.58 rating mean for this pressing?
The community rating of 4.58 across 687 votes reflects the album's artistic and historical standing, not the pressing quality. It indicates broad collector consensus on the record's importance. Individual pressing condition and variant rarity are separate from this overall rating.